Don’t Be Afraid To Use All The Colors

 

CHOPIN’S PIANO

It’s been awhile since I’ve carried a complex doodle into a fine art piece. So here is Chopin’s Piano. I used every color not because I wanted to enter it into a “Use of Color” contest (which I did but past the deadline and didn’t want to rush)—I use all colors most of the time. This was a piece inked with one stroke while listening to a Chopin piece. It was created for therapy.

I’m stuck home-bound just like everyone else. It’s claustrophic but I’m not adverse from it—being somewhat of a hermit. I seem to do my best work when I’m “dark”. This piece is free and happy and helped pass time while moving forward.

Adobe Illustrator is a vector app and has really worked up some more free-flowing tools but I like the control of drawing each point and line manually, without filters. Ironically it makes the art contain more movement and actually gives me more freedom while creating. I have the option of changing a line or color without the arduous task of over-painting or by taking up so much time mixing paint. And that’s it! It’s music in line and color.

First Semi-Private Show In Years

It couldn’t have come at a more inopportune time but the world doesn’t plan around your life. October 26th will be the reception to my show, INSOMNIA, along with Jaime Coffey Bateman—RED EARTH and Lynne Russo—THIS MOTHER FUCKER, at TAG Gallery in Los Angeles. While reformatting my studio/gallery/store at Crafted in San Pedro into a Paint Bar and also building out the gallery in Laguna Hills’ Open Market OC, I managed to pull together seven to ten more pieces during the wee hours of the morning—giving strength to the notion that insomnia is my friend.

I know. Insomnia can be pretty open-ended and could be considered a cop out theme name. So here’s my argument: I was worried that I might not be able to attain the same heightened imagination as when I was sleeping, on average, only thirty hours a week or less. I thought that sleeping seven-plus hours every night would make my brain mushy.

Yes. There was about six months where I was so well-rested and getting my blood sugar back to survivable that my brain and my art was like cooked Quaker Oats. Getting back into the routine of doodling every morning and letting my ink pen flow without forethought and judgement on the drawing, “it” finally started to flow. And then, all of a sudden, I had so much creativity and need to create pieces, that I became a little ADD in the painting department. This last piece is how I felt about getting my mo-jo back. Titled Continental Flight, I barely finished it in time for the show. Tired and happy… but not sleepy!

Is it Fine Art?

Digital Art on Laptop monitor
“Falling Petal” work in progress painted using Adobe Photoshop by Miyuki Sena

Yesterday, I worked a 9-hour co-op shift at Palos Verdes Art Center group called The Artists’ Studio at the gallery. There was the usual down time but occasionally, and sometimes in droves, people will come in and look around. A gentleman came in and asked me what I do. I always respond with “digital painting”. Some eyes glaze over and some nod politely. But, I always ask, “Do you know what that is?” More on that with other posts.

He seemed to know what I meant and asked me how I show and I said that I print on high quality art paper with Giclee or another ink jet printer. I like a place in Culver City called Graphaids. I believe they use an Epson 9900. And then I have a wonderful framer which I compare to my psych-therapist. “You really can’t charge people that much because it’s not an original.”

My pupils dilate, I swallow, and then I proceed on a rant (as pleasant as I can):

  1. Crappy art is crappy art, oil, acrylic, watercolor, photo, etc., and well-done art, is, well, well-done. Whether an schooled painter, an elephant, blind person, paraplegic, or flock of birds applies paint onto paper, canvas, wood or whatever, art is art. Art is whatever one considers art for themselves. it’s personal in the largest sense. Therefore, one will pay what one will pay if it has value to them. It’s an artist’s dubious task to figure out what that value is, the pulse of present-day art appreciation, and where the threshold lies. Of course, an artist can also not give a shit and produce art for art’s sake.
  2. At one time in the history of people and all their cultures, that photography, etchings, acrylic, tempura, charcoal, ink, yada-yada-yada, were not considered fine art mediums. Let’s take photography since it’s recent, just over 200 years (with camera), and agree that as soon as “it” was “invented” that the artistic ones used this scientific process to create art. But because it was known that with a chemical process and a negative, one could produce multiple, if not endless, numbers of prints—photography was not art… not even considered art. Can we all agree, now, that photography is a respected form of fine art, hanging in galleries all over the world right alongside, oils, and bronze sculptures?
  3. Time, as in the passing of years, decades, eras, is known to be a slippery indication of value. Your Great Uncle’s school art project may be of great value to you, but unless his art had been revered in some great galleries, or auctioned off at Sotheby’s, it will hardly be of any value to others. A painting taken a decade to paint by a nobody is nothing compared to Seurat’s drop cloth. Time put into creating something; Time in experience; Time in the care and thought of a piece of art should be weighed in to the value of that art. It isn’t. “Digital” sounds hi-tech, sounds fast, sounds easy, but most of my pieces take 20, 30, 50 times longer than some oil paintings. Not speaking for other digital artists, but at least for me, I do price my pieces for Time I’ve put into it.
  4. The last point in is about simple economics. Art in a Beverly Hills gallery are priced higher than in a warehouse show downtown. Art value is up during good economy because people are buying more (demand). Art is priced according to it’s one-of-a-kind-ness.

And so, we come back to the debate on whether digital art can be considered fine art and should I be able to charge “much” because it is digital. If I price something that make me happy and it sells… absolutely.

Is it Fine Art?

Only Time will tell.

Painting with Brushes in Adobe Photoshop

Brush Setting for Painting in Adobe Photoshop

Brush Setting Sample

This is only one example of brush settings in Adobe Photoshop. The look is similar to using acrylic, oil, or heavy watercolor. The best part is not having to mix jars and jars of paint, clean up, and spilled water. It dries instantly and you can zoom in to create detail with hunching over.

CHECK: Shape Dynamics (see green)
Using a drawing pad, such as Intuos Wacom tablet and stylus, checking “Shape Dynamics” along with the Pressure Preference “ON” allows you to use your hand pressure to make the brush size smaller and larger just like using a real brush.

CHECK: Color Dynamics (see blue)
The foreground and background color toggles between light pressure and heavier pressure, like paint (color) on a brush ONLY it’s slightly different in AP: The harder you push—more pressure—the FOREGROUND color appears and lighter pressure produces the BACKGROUND color. Switch foreground color and background color with quick key “x”.You’ll have to play with the BRUSH setting  (to the right bottom) while “Color Dynamics” is selected to find what you like.

CHECK: Transfer (see yellow)
Just see it as a fade and not just size. Check Transfer on and off while viewing the sample brush stroke and you will see more clearly with Transfer does. It also gives an added rough edge that can simulate using a real brush on canvas.

CHECK: Smoothing (see magenta)
It might seem contradicting to use Transfer and Smoothing for what Transfer does. It’s a preference; zoom in and see the difference with and without Smoothing. Smoothing has more to do with transitioning all your choices such as color, size, and pressure but it’s very subtle. It doesn’t cancel out Transfer so leave it on for the effect of a brush and paint.

Not in view: Hardness at 100% and Opacity at 100%.